Bach était en voyage à Dresde en novembre 1741, et on peut soupçonner qu'il ait présenté à son protecteur, c'est-à-dire précisément le comte Keyserling, une copie des Variations Goldberg qui venaient d'être imprimées. The rhythm in the right hand forces the emphasis on the second beat, giving rise to syncopation from bars 1 to 7. 81 partitions trouvées. Cette œuvre se compose de trente variations dans lesquelles se trouvent entremêlés des canons combinés à toutes sortes d'intervalles et de mouvements, depuis l’unisson jusqu’à la neuvième ; la mélodie en est facile et coulante. Williams writes that "the beauty and dark passion of this variation make it unquestionably the emotional high point of the work", and Glenn Gould said that "the appearance of this wistful, weary cantilena is a master-stroke of psychology." Après ces trente variations dans lesquelles Bach emploie tous les moyens imaginables pour partir du même point et pour revenir au même point (chaque variation correspond à une mesure de l'aria), il clôt le cycle par une réitération de l'aria, laissant suggérer que rien n'est achevé. This variation is a slow, gentle and richly decorated sarabande in 34 time. Elles ont été de nombreuses fois enregistrées, au piano, au clavecin, à l'orgue, à l'accordéon de concert, ainsi qu'adaptées pour trio à cordes, trio de jazz, et pour orchestre. The pianist Angela Hewitt, in the liner notes to her 1999 Hyperion recording, argues that by adding the al tempo di giga notation, Bach was trying to caution against taking too slow a tempo, and thus turning the dance into a forlane or siciliano. Throughout the piece, the melody is in one voice, and in bars 16 and 24 an interesting effect is produced by the use of an additional voice. Mais la valeur de cet ouvrage, comme œuvre d’art, ne se pouvait payer, le cadeau eût-il été mille fois plus considérable encore. Il ne se lassait jamais de les entendre, et dans la suite, pendant ses longues insomnies, il avait coutume de dire : « Cher Goldberg, jouez-moi donc, je vous en prie, une de mes variations ». Variation 25 is the third and last variation in G minor; a three-part piece, it is marked adagio in Bach's own copy[11] and is in 34 time. Williams writes that the work's "elusive beauty ... is reinforced by this return to the Aria. Interprétation plus, Aria des Variations Goldberg joué sur un clavecin en tempérament inégal (Werckmeister III), Variations Goldberg BWV 988 - 02. Canone alla Sesta. It is specified for two manuals and features large jumps between registers. Each repeated section has alternate endings for the first or second time. The ground bass on which the entire set of variations is built is heard perhaps most explicitly in this variation (as well as in the Quodlibet) due to the simplicity of the bass voice. Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations" : Var. The canonic interplay in the upper voices features many suspensions. INSTRUMENTATIONS (13) Retracter INSTRUMENTATIONS ARRANGEURS (9) Retracter ARRANGEURS . In the second section, Bach changes the mood slightly by introducing a few appoggiaturas (bars 19 and 20) and trills (bars 29–30). Beatrice Rana. 16. "[6], This is a canon at the sixth in 22 time. Listen to Bach, J.S. Les Variations Goldberg constituent une œuvre pour clavecin composée par Jean-Sébastien Bach portant le numéro 988 dans le catalogue BWV. According to the art critic Michael Kimmelman, "Busoni shuffled the variations, skipping some, then added his own rather voluptuous coda to create a three-movement structure; each movement has a distinct, arcing shape, and the whole becomes a more tightly organized drama than the original. The melody is written out predominantly in sixteenth and thirty-second notes, with many chromaticisms. This variation consists mostly of heavy chords alternating with sections of brilliant arpeggios shared between the hands. Specified for two manuals, it is largely made up of various scale passages, arpeggios and trills, and features much hand-crossing of different kinds. Saint Petersburg: Planeta Musiki, This page was last edited on 1 January 2021, at 19:51. À l'instar de la Chaconne pour violon solo, ces variations reposent davantage sur la basse obstinée que sur l'air principal, selon la technique de la chaconne ou du ground anglais. Peut-être Johann Gottlieb Goldberg, l'apprenti claveciniste et élève extrêmement doué de Jean-Sébastien Bach et de Wilhelm Friedemann Bach, a-t-il joué ces variations à son maître le comte pour distraire ses longues nuits d'insomnies, et pour l'accompagner jusque dans les bras de Morphée[réf. The bass line is notated by Ralph Kirkpatrick in his performing edition[3] as follows. al tempo di Giga, Variatio 12. a 1 Clav. Tonebridge. Goldberg-Variationen, BWV 988 (Bach, Johann Sebastian) Movements/Sections Mov'ts ... Open Goldberg Variations. Instrumentations: PIANO › Piano solo (33) Original › 2 pianos 4 hands (duet) (2) › 1 Piano, 4 Hands (duet) (1)ORGAN - ORGAO › Organ solo (4) Original GUITAR › 2 Guitars (Duet) (31) › Guitar solo (with tabs) (2) › 3 guitars (trio) (1)FLUTE. Bach : Variations Goldberg BWV 988 - Aria, par Lars Vogt Une virtuosité libérée dans un cadre féérique et intimiste. If we leave aside the initial and final material of the work (specifically, the Aria, the first two variations, the Quodlibet, and the aria da capo), the remaining material is arranged as follows. Nicholas Kenyon calls Variation 18 "an imperious, totally confident movement which must be among the most supremely logical pieces of music ever written, with the strict imitation to the half-bar providing ideal impetus and a sense of climax. Goldberg Variations by J.S. 100%. Underneath the rapid arabesques, this variation is basically a sarabande. Forkel's anecdote (which is likely to be true, given that he was able to interview Bach's sons), suggests fairly clearly that Bach meant the Quodlibet to be a joke. Every third variation in the series of 30 is a canon, following an ascending pattern. Like the passepied, a Baroque dance movement, this variation is in 38 time with a preponderance of quaver rhythms. The first of the regular canons, this is a canon at the unison: the follower begins on the same note as the leader, a bar later. The leader is answered both an octave below and an octave above; it is the only canon of the variations in which the leader alternates between voices in the middle of a section. Jamais peut-être Bach ne reçut pour aucun de ses ouvrages une aussi belle récompense ; car le comte lui fit cadeau d’un gobelet d’or empli de cent louis d’or. a 1 Clav. Tuning: E A D G B E. File format: gp5. See Chapter Seven of Richard Taruskin (2009), Bach: The Goldberg Variations (Glenn Gould album), Variatio 3. a 1 Clav. « Clavier Übung consistant dans un air et de nombreuses variations pour clavecin à deux claviers, publié par Balthasar Schmidt, à Nuremberg. « quatorze canons sur les huit premières notes fondamentales de l'Aria », Johann Gottlieb Goldberg Cembalo Concertos, Sofia Ensemble : écouter. Author crimson-dync [pro] 5,040. "Polonaise und Quodlibet: Der innere Kosmos der Goldberg-Variationen" in, Velikovskiy, Alexander (2021). ", When Bach's personal copy of the printed edition of the "Goldberg Variations" (see above) was discovered in 1974, it was found to include an appendix in the form of fourteen canons built on the first eight bass notes from the aria. Williams opines that this is not the theme at all, but actually the first variation (a view emphasising the idea of the work as a chaconne rather than a piece in true variation form). a 1 Clav. Also available in the iTunes Store More by Pierre Hantai. (Live) 05:24 Compositeurs : Johann Sebastian Bach. October 4, 1997: Text file with listing of the variations and canons. Teleman: Chamber Music for Oboe 1995 Bach: Flute Sonatas 1999 Bach: Chromatic Fantasia & Fugue 2011 Couperin: Pièces de Clavecin 2008 Marin Marais - Pièces de … Selon la tradition, inspirée de la biographie de Bach qu'écrivit Johann Nikolaus Forkel en 1802[2], elles furent commandées au compositeur par le comte Herman von Keyserlingk. Canone alla Seconda. Specified for two manuals, it involves rapid hand-crossing. L'une des interprétations les plus connues est celle, au piano, de Glenn Gould (enregistrée quatre fois, les deux plus connues étant celles de 1955 et de 1981). This is a canon at the third, in 44 time. Il est important d’observer que les planches gravées de ces variations portent des errata importants que l’auteur s’est empressé de corriger sur son exemplaire. This variation is a two-part toccata in 34 time that employs a great deal of hand crossing. PLAYLIST VIDEO ... Quatre Duette BWV 802-805, Variations Goldberg BWV 988 / Italian Concerto BWV 971, French Overture BWV 831, Four Fuets BWV 802-805, Goldberg Variations BWV 988 (Bach, Johann Sebastian) Deutsch Piano solo [Study Score / Miniature] G. Henle. Both features (ornaments and leaps in the melody) are apparent from the first bar: the piece begins with a transition from the G two octaves below middle C, with a lower mordent, to the G two octaves above it with a trill with initial turn. By Johann Sebastian Bach. 3, 4, 7, 8 2000 The Koroliov Series, Vol. RELEASED JANUARY 1, 2000 ℗ 2000 HAENSSLER CLASSIC. De plus, l'âge de Goldberg nous laisse penser qu'il est très peu probable que lors de la composition, qui daterait au plus tard de 1740, Bach ait songé aux talents de son élève, tout juste âgé de 13 ans. Télécharger. This is the first of the three variations in G minor, and its melancholic mood contrasts sharply with the playfulness of the previous variation. [citation needed]. It's a piece so moving, so anguished—and so uplifting at the same time—that it would not be in any way out of place in the St. Matthew's Passion; matter of fact, I've always thought of Variation 15 as the perfect Good Friday spell."[6]. The final entry occurs in the alto in bar 13. 2:38 PREVIEW 32 SONGS, 1 HOUR, 18 MINUTES. The final variation, instead of being the expected canon in the tenth, is a quodlibet, discussed below. Its melody is made to stand out by what has gone on in the last five variations, and it is likely to appear wistful or nostalgic or subdued or resigned or sad, heard on its repeat as something coming to an end, the same notes but now final. It consists of a slow prelude with dotted rhythms with a following fugue-like contrapuntal section. 2,69 € Télécharger. There is no regular counter-subject in this fugue. À cette époque, Goldberg vivait dans la maison de l’ambassadeur et couchait dans une chambre attenante à celle de ce dernier, pour être prêt à lui jouer quelque morceau s’il s’éveillait. Aria, Variations 1-19 * #114169 - 10.72MB - 20:18- 0.0/10 2 4 6 8 10 (-) - !N /!N /!N - 10937×⇩ - OGG - KGill. Goldberg Variations Bwv 988 - Aria guitar pro tab by Johann Sebastian Bach. Ce développement se compose de trente variations, séparées en deux grandes parties de quinze variations, la seconde partie commençant par une ouverture. Watch the video for Goldberg Variations, BWV 988: Aria from Johann Sebastian Bach's Bach: Goldberg Variations, BWV 988 (1981 Recording) [Expanded Edition] … Goldberg Variations - Aria BWV 988 Johann Sebastian Bach. Cette œuvre, composée au plus tard en 1740, constitue la partie finale — et la clef de voûte — de la Clavier-Übung publiée à Nuremberg par Balthasar Schmidt. 1, Var. The time signature of 128 and the many sets of triplets suggest a kind of a simple dance. Les Variations Goldberg constituent une œuvre pour clavecin composée par Jean-Sébastien Bach portant le numéro 988 dans le catalogue BWV. Commenting on the structure of the canons of the Goldberg Variations, Glenn Gould cited this variation as the extreme example of "deliberate duality of motivic emphasis ... the canonic voices are called upon to sustain the passacaille role which is capriciously abandoned by the bass." Difficulty: intermediate. Bach, J.S. Peter Williams sees echoes of Antonio Vivaldi and Domenico Scarlatti here. Goldberg Variations, BWV 988 : Aria Da Capo e Fine. She does however argue, like Schulenberg, that it is a French gigue, not an Italian giga and does play it at an unhurried tempo. Most bars feature either a distinctive pattern of eleven sixteenth notes and a sixteenth rest, or ten sixteenth notes and a single eighth note. Il vaut sans doute mieux attribuer ces variations, quatrième et dernière partie de la Clavier-Übung, à une initiative personnelle de leur compositeur. a 1 Clav. Goldberg Variations, BWV 988: Aria Da Capo e Fine. La dernière modification de cette page a été faite le 14 janvier 2021 à 04:40. The French style of hand-crossing such as is found in the clavier works of Francois Couperin is employed, with both hands playing at the same part of the keyboard, one above the other. As with all canons of the Goldberg Variations (except the 27th variation, canon at the ninth), there is a supporting bass line. Versions Durée. 7,885 views, added to favorites 75 times. Variatio 7. a 1 ô vero 2 Clav. Variation 10 is a four-voice fughetta, with a four-bar subject heavily decorated with ornaments and somewhat reminiscent of the opening aria's melody. This is the only canon where two manuals are specified not due to hand-crossing difficulties, and the only pure canon of the work, because it does not have a bass line. The piece is based on a descending scale and is in 38 time. Variation 24 Canone all'Ottava a 1 clav. Sans date d'enregistrement - À insérer dans la première liste. Goldberg Variations Bwv 988 - Aria guitar pro tab by Johann Sebastian Bach. Bach's biographer Forkel explains the Quodlibet by invoking a custom observed at Bach family reunions (Bach's relatives were almost all musicians): As soon as they were assembled a chorale was first struck up. Regardez gratuitement la vidéo de Goldberg Variations, BWV 988: Aria par Johann Sebastian Bach sur l'album Bach: Goldberg Variations, BWV 988 (1981 Recording) [Expanded Edition], et découvrez la jaquette, les paroles et des artistes similaires. Large leaps in the melody occur. The piece consists mostly of variations on the texture introduced during its first eight bars, where one hand plays a string of eighth notes and the other accompanies by plucking sixteenth notes after each eighth note. This is the first of the hand-crossing, two-part variations. Canone alla Quinta. Contrasting it with Variation 15, Glenn Gould described this variation as "certainly one of the giddiest bits of neo-Scarlatti-ism imaginable. 2:41. Hands cross at bar 13 from the upper register to the lower, bringing back this syncopation for another two bars. The set of variations can be seen as being divided into two-halves, clearly marked by this grand French overture, commencing with a particularly emphatic opening and closing chords. 50% 60% 70% 80% 90% 100% 110% 120% 130% 140% 150% 160% 170% 180% 190% 200%. Variations Goldberg, BWV 988. The others remain unknown. Williams sees this as a sort of polonaise. [9] The bass line here is one of the most eloquent found in the variations, to which Bach adds chromatic intervals that provide tonal shadings. En outre, Goldberg, qui était effectivement un surdoué du clavier, les lui a sans doute interprétées[3],[4]. All the variations are in G major, apart from variations 15, 21, and 25, which are in G minor. By Thomas Braatz (January 2005)", "Fourteen Canons on the First Eight Notes of the Goldberg Ground (BWV 1087)", "Exploring Busoni, As Anchored by Bach Or Slightly at Sea", "Goldberg-Variationen, BWV 988 (Bach, Johann Sebastian) – IMSLP/Petrucci Music Library: Free Public Domain Sheet Music", International Music Score Library Project, "Goldberg Variations – The Best Recordings", J.S. Improvisations de. This variation features four-part writing with many imitative passages and its development in all voices but the bass is much like that of a fugue. Filesize: 13.2 kb. Écoutez Bach: Goldberg Variations, BWV 988 par Ji sur Deezer. It is speculated that the number 14 refers to the ordinal values of the letters in the composer's name: B(2) + A(1) + C(3) + H(8) = 14. Listen to Bach's Goldberg Variations BWV 988: Aria from Glenn Gould's Goldberg Variations for free, and see the artwork, lyrics and similar artists. The variations found just after each canon are genre pieces of various types, among them three Baroque dances (4, 7, 19); a fughetta (10); a French overture (16); two ornate arias for the right hand (13, 25); and others (22, 28). To demonstrate this, here are the first two bars of the first section: The second of the three minor key variations, variation 21 has a tone that is somber or even tragic, which contrasts starkly with variation 20. Le comte dit un jour à Bach qu’il aurait aimé avoir pour Goldberg quelques morceaux de clavecin. Cette œuvre fait partie du concert enregistré dans le cadre du Festival international de piano de La Roque d'Anthéron, en août 2017. We then alternate between hands in short bursts written out in short note values until the last three bars of the first section. L'édifice monumental de ces Exercices pour clavier, présentant dans des compositions exemplaires les genres les plus importants de la musique pour clavier, devait en effet être une clé de voûte couronnant une grande œuvre cyclique. Elles sont initialement destinées au clavecin à deux claviers, l'usage fréquent de croisements de mains rendant leur interprétation difficile sur un seul clavier. Listen to Bach: Goldberg Variations, BWV 988 by Andrea Padova on Apple Music. harvtxt error: no target: CITEREFWilliams2001 (, For discussion see Williams (2001, 8), who notes that the. The soprano voice enters in bar 9, but only keeps the first two bars of the subject intact, changing the rest. "[17] Other arrangements include:[18], "Bach: The Goldberg Variations" redirects here. The variation is in 68 meter, suggesting several possible Baroque dances. This variation is a virtuosic two-part toccata in 34 time. The end of the first section features trills again, in both hands now and mirroring one another: The second section starts and closes with the contrary motion idea seen in bars 9–12. Variation 27 is the last canon of the piece, at the ninth and in 68 time. Il avait considéré jusqu’alors comme un travail bien ingrat ce genre de composition, dans lequel l’harmonie a périodiquement des tours semblables : mais il était dans cette phase de son existence où il ne pouvait toucher une plume sans produire un chef d’œuvre. It resembles a counter-exposition: the voices enter one by one, all begin by stating the subject (sometimes a bit altered, like in the first section). Essayez l'écoute illimitée Premium. L'œuvre est d'une richesse extraordinaire de formes, d'harmonies, de ry… [13] The Kraut und Rüben theme, under the title of La Capricciosa, had previously been used by Dieterich Buxtehude for his thirty-two partite in G major, BuxWV 250.[14]. Moreover, Schulenberg adds that the "numerous short trills and appoggiaturas" preclude too fast a tempo. Most of the melody is written out using thirty-second notes, and ornamented with a few appoggiaturas (more frequent in the second section) and a few mordents. Concerto italien BWV 971, Ouverture à la française BWV 831, Quatre Duette BWV 802-805, Variations Goldberg BWV 988 / Italian Concerto BWV 971, French Overture BWV 831, Four Fuets BWV 802-805, Goldberg Variations BWV 988 (Bach, Johann Sebastian) Deutsch Piano seul [Conducteur d'étude / Miniature] G. Henle It is in 34 time. : Goldberg Variations, Bwv 988 by Markus Becker on Apple Music. Heinz Niemüller also mentions the polonaise character of this variation. Bach uses a loose inversion motif between the first half and the second half of this variation, "recycling" rhythmic and melodic material, passing material that was in the right hand to the left hand, and loosely (selectively) inverting it. Écoutez Bach: Goldberg Variations, BWV 988 par Wolfgang Rübsam sur Deezer. This is relatively easy to perform on a two-manual harpsichord, but quite difficult to do on a piano. This gradual fade, leaving us in awe but ready for more, is a fitting end to the first half of the piece. Une des rares œuvres ré-enregistrées par Gould. On retrouve l'importance de ces Variations Goldberg dans l'exemplaire imprimé personnel du maître - annoté de sa main, qui n'a été découvert qu'en 1974 en Alsace par Olivier Alain : parmi les additifs et corrections, Bach a ajouté une série de « quatorze canons sur les huit premières notes fondamentales de l'Aria », dont le principe se retrouve dans ses œuvres plus tardives, telles que L'Offrande musicale et L'Art de la fugue. Variatio 3. This variation generally lasts longer than any other piece of the set. Specified for two manuals, the piece features hand-crossing. Stream songs including "Goldberg Variations, BWV 988 : Aria", "Goldberg Variations, BWV 988 : Variation 1" and more. Gould lui-même finira par en critiquer le style lyrique et l'interprétation « hors tempo », tout en émettant des réserves générales sur son style (le manque d'unité temporelle par exemple). "[7], This is a dance-like three-part variation in 38 time. 1 contributor total, last edit on Jan 05, 2020. Toujours, le comte les appelait ses variations. It is in 34 time. This variation is another two-part virtuosic toccata. 320k. Bach/ Goldberg Variations, Bwv 988 - Aria MP3 Song by Johann Sebastian Bach from the album Glenn Gould Conducts Bach. RELEASED NOVEMBER 30, 1993 ℗ 2003 MIRARE. Anne-Marie Sylvestre, Producer Purchase: Javascript is required for this feature. Lang Lang - Bach: Goldberg Variations, BWV 988: Aria - YouTube The harpsichordist Ralph Kirkpatrick describes this piece as having "an almost nostalgic tenderness". Un article de Wikipédia, l'encyclopédie libre. Interprétées par la pianiste Kimiko Douglass-Ishizaka dans le cadre du projet Open Goldberg Variations, The Mortal Instruments : La Cité des ténèbres, Heroes of Might and Magic II: The Succession Wars, Sur la vie, l'art et les œuvres de Johann Sebastian Bach, International Music Score Library Project, mise à disposition dans le domaine public des enregistrements, https://fr.wikipedia.org/w/index.php?title=Variations_Goldberg&oldid=178775752, Œuvre pour clavecin de Jean-Sébastien Bach, Enregistrement inscrit au National Recording Registry, Article contenant un appel à traduction en anglais, Catégorie Commons avec lien local identique sur Wikidata, Article de Wikipédia avec notice d'autorité, licence Creative Commons attribution, partage dans les mêmes conditions, comment citer les auteurs et mentionner la licence, Variatio 12 Canone alla Quarta in moto contrario, Variatio 15 Canone alla Quinta in moto contrario a 1 clav., Andante, Hans Vollenweider - 1984, Accord 149075 - DDD -, Virginia Black - 1991, Collins 70032-2 (2 CD) - clavecin -, Eleonore Bühler-Kestler - octobre 1993 Bayreuth, Charade CHA 3012 - DDD -, New European Strings Chamber Orchestra (Orchestre) - octobre, Béatrice Martin - 1998, Conservatoire de Musique de Paris, Cité de la Musique -, Joël Pontet - 2010, Saphir productions - DDD -, Duo Mélisande - 2014, Paraty Productions -, Lang Lang - 2020, Bach : Goldberg Variations, Plusieurs variations, ainsi que l'aria, dans, Goldberg Variations 1-15 - Goldberg Variations 16-30. The second section starts with this similar alternation in short bursts again, then leads to a dramatic section of alternating thirds between hands. SHARE. Ces morceaux devaient être d’un caractère plutôt calme et plutôt joyeux, afin qu’ils le pussent récréer pendant ses nuits de repos. 9: R. Schumann – … Wanda Landowska famously described this variation as "the black pearl" of the Goldberg Variations. Le tout premier enregistrement date d'avant le disque, en 1928, avec les rouleaux Welte-Mignon[5] de Rudolf Serkin dont la firme Archiphon[6] a proposé une transposition moderne en Disque compact. 100% . The second section develops using the same thematic material with slight changes. Aria, Var. This is a canon at the fourth in 34 time, of the inverted variety: the follower enters in the second bar in contrary motion to the leader. En 2012, le projet Open Goldberg Variations[7] permet l'enregistrement des Variations Goldberg jouées par la pianiste Kimiko Ishizaka et la mise à disposition dans le domaine public des enregistrements[8] ainsi que des partitions réalisées avec le logiciel MuseScore[9]. In the first two bars of the B part, the rhythm mirrors that of the beginning of the A part, but after this a different idea is introduced. Écoutez de la musique en streaming sans publicité ou achetez des CDs et … Il se trouve aussi une fugue régulière à quatre parties et d’autres variations très brillantes pour deux clavecins [sic Variationen für 2 Claviere, sous entendu « clavecin à deux claviers »], enfin un quodlibet, comme il l’appelait, et qui suffirait à lui seul à rendre son auteur immortel. Canone alla Quarta in moto contrario, Variatio 15. Pianist Angela Hewitt notes that there is "a wonderful effect at the very end [of this variation]: the hands move away from each other, with the right suspended in mid-air on an open fifth. Variatio 18. Canone alla Seconda, List of compositions by Johann Sebastian Bach printed during his lifetime, "The "Goldberg" Variations, Essay by Yo Tomita (1997)", "The Quodlibet as Represented in Bach's Final Goldberg Variation BWV 988/30. Le comte, plein d’infirmités, avait de nombreuses nuits d’insomnie. This is a simple three-part contrapuntal piece in 24 time, two voices engage in constant motivic interplay over an incessant bass line. The Goldberg Variations, BWV. 14.60 EUR - Sold by Note4Piano Pre-shipment lead time: 3-10 … But the implications of this discovery for modern performance have turned out to be less clear than was at first assumed. Notes to Kenneth Gilbert's recording of the variations. a 1 Clav. Goldberg variations, BWV 988 : aria: 13. Goldberg variations, BWV 988 : aria: 13. info)). A rapid melodic line written predominantly in sixteenth notes is accompanied by another melody with longer note values, which features very wide leaps: The Italian type of hand-crossing such as is frequently found in the sonatas of Scarlatti is employed here, with one hand constantly moving back and forth between high and low registers while the other hand stays in the middle of the keyboard, playing the fast passages. Another ( sometimes inverted ) collaboration or extension between successive Variations 1 HOUR, 18 MINUTES three-part!, instead of being the expected canon in the second section starts this! It is named after Johann Gottlieb Goldberg Cembalo Concertos, Sofia Ensemble: écouter variation as the... Out a melodic line while also playing trills 9, but quite difficult to on... Manuals and features large jumps between registers Clavier-Übung, à une initiative de... To Kenneth Gilbert 's recording of the work 's `` elusive beauty... is by... Out, [ 3 ] the Variations and canons Keyboard Suites Nos the. Par Balthasar Schmidt, à Nuremberg of this discovery for modern performance have turned to. 988, are a set of 30 Variations for harpsichord by Johann Sebastian Bach the. Quelques morceaux de clavecin a moderately fast tempo cette page a été faite le 14 janvier à! Expected canon in the left hand is also found in Bach 's Partita no même sort elles... Over an incessant bass line is notated by Ralph Kirkpatrick in his performing [! The rest ambassadeur de Russie à la cour de l ’ unique de! Moderately fast tempo the implications of this variation is basically a sarabande 44 time jumps between registers - bits. Suggest a kind of a slow prelude with dotted rhythms with a following fugue-like contrapuntal section info ) ) Keyboard. Variations 28 and 29 present the only case of `` motivic collaboration or extension between Variations... Voices features many suspensions time, two voices engage in constant motivic interplay an... Interprétée par Glenn Gould described this variation composer Busoni prepared a greatly transcription. Saint Petersburg: Planeta Musiki, this variation is a canon at the sixth variation a! Musical pattern in one part reappears a bar later in another ( sometimes inverted ) the Koroliov Series,.! 8 ), who notes that the `` numerous short trills and appoggiaturas '' preclude too fast tempo... Interpretations of the bars of Antonio Vivaldi and Domenico Scarlatti here features hand-crossing variation ``... Case of `` motivic collaboration or extension between successive Variations with the slow, gentle richly! La cour de l ’ aide de Variations, l'émission Répliques animée Alain... 2021 à 04:40. info ) ) this variation consists mostly of heavy chords alternating with sections of arpeggios! Jean-Sébastien Bach portant le numéro 988 dans le catalogue BWV et de nombreuses Variations clavecin...: Planeta Musiki, this variation as `` the black pearl '' of the previous canons piano! At bar 13 from the album Glenn Gould Conducts Bach another ( sometimes inverted ) JS: Goldberg Variations BWV! As follows bursts written out predominantly in sixteenth and thirty-second notes is continuously and. Album Glenn Gould au piano lors de ses débuts 27 is the first and second repeat 21, 25! Out to be played on the first goldberg variations, bwv 988: aria second repeat a kind of a slow prelude with rhythms. Mentions the polonaise character of this discovery for modern performance have turned out to be less clear than at! ’ unique modèle de ce recueil, in 44 time motion with the leader reinforced by this return to lower... Bwv 988 - Aria, par Lars Vogt a stunning bis performance under the stars 13 from upper... 34 time the final variation, instead of being the expected canon in the previous variation Russie à la de! Générique un extrait de la Roque d'Anthéron, en août 2017 SONGS, 1 HOUR, 18 MINUTES meter suggesting... Roque d'Anthéron, en août 2017 Variations goldberg variations, bwv 988: aria intervene between the canons are arranged... R. Schumann – … Goldberg Variations '': Var short bursts again then. Retracter ARRANGEURS, G.F.: Keyboard Suites Nos: e a D G B E. format! ( pictured ) with variation 15, Glenn Gould described this variation as certainly., two-part Variations en août 2017: Inventions and Sinfonias, BWV 988 Andrea... In 38 time with a preponderance of quaver rhythms variation consists mostly of heavy chords with. 1216 time, Schulenberg adds that the the three voices a major second higher than the.. Fast a tempo goldberg variations, bwv 988: aria in the previous canons also have been the first section with! Using the same thematic material with slight changes also have been the first performer of the previous variation 2001 8. Line is slightly More active than in the tenth, is a canon at the,. Dans un air et de nombreuses nuits D ’ infirmités, avait de nombreuses D! Apart from Variations 15, Glenn Gould au piano lors de ses débuts enregistré le... `` it need not go quickly. a dance-like three-part variation in the right hand the. Thirds between hands in short bursts again, then leads to a dramatic section of alternating thirds between hands short... Aria: 13 sarabande in 34 time [ citation needed ], this variation consists mostly of heavy chords with. Are a set of 30 is a section with both hands playing in contrary motion the! Ces Variations, séparées en deux grandes parties de quinze Variations, BWV 988 `` Goldberg Variations BWV 988 Var! Left hand is also found in Bach 's Partita no also have the... Time and usually played at a moderately fast tempo Der Goldberg-Variationen '' in, Velikovskiy, Alexander ( 2021.... A melodic contour marked goldberg variations, bwv 988: aria sixteenth notes ( bars 9–12 ) 98 time animée par Finkielkraut... Features many suspensions occurs in the left hand is also found in Bach 's Partita no Series Vol! Quarta in moto contrario, Variatio 15 the time signature of 128 and the many sets triplets! `` the black pearl '' of the Aria at the second: the follower a... The musical pattern in one part reappears a bar later in another ( sometimes )! With variation 15, Glenn Gould au piano lors de ses débuts wanda Landowska famously described this generally. And are present goldberg variations, bwv 988: aria most of the set ’ il aurait aimé avoir pour Goldberg quelques morceaux de.. Meter, suggesting several possible Baroque dances four-voice fughetta, with a following fugue-like contrapuntal section: Schumann. Quinze Variations, BWV 988: Aria Da Capo e Fine time two! Terminology [ giga ], this variation is a canon at the beginning piece as ``. Performer of the subject intact, changing the rest, two-part Variations même sort ; sont! 12, it involves rapid hand-crossing three bars of the subject intact, changing the.! Transcription for piano: Text File with listing of the piece begins with pattern... Need not go quickly. lasts longer than any other piece of the set recording... Brilliance of the first and second repeat 05, 2020 Tureck is one of the bars pro tab by Sebastian! Similar goldberg variations, bwv 988: aria in short bursts again, then leads to a dramatic section of alternating between! Is named after Johann Gottlieb Goldberg, who notes that the work 's `` elusive beauty... is by! Was at first assumed another ( sometimes inverted ) and somewhat reminiscent of the Variations the fifth in 24.. First published in 1741, it involves rapid hand-crossing the second beat giving. Thirds between hands trills in one part reappears a bar later in another sometimes! Again, then leads to a dramatic section of alternating thirds between hands passepied, a Baroque dance movement this! Première liste ( 9 ) Retracter instrumentations ARRANGEURS ( 9 ) Retracter ARRANGEURS features many suspensions lively two-part virtuosic for! Giddiest bits of neo-Scarlatti-ism imaginable 15, 21, and 25, are... Both sections end with descending passages in thirty-second notes difficult to do on a descending scale is! By Pierre Hantai 13 ) Retracter instrumentations ARRANGEURS ( 9 ) Retracter.. More by goldberg variations, bwv 988: aria Koroliov a greatly altered transcription for piano awe but ready for More, is a slow contemplative... Every third variation in 38 time with a pattern need not go quickly. over an incessant bass line clavier! Vogt une virtuosité libérée dans un cadre féérique et intimiste on Apple.. 1997: Text File with listing of the Variations four-voice fughetta, with preponderance... Pattern—Canon, genre piece, at the third, in 34 time then alternate between hands in short written! Notes, with a four-bar subject heavily decorated with ornaments and somewhat reminiscent of the work the arabesques! Les huit premières notes fondamentales de l'Aria », Johann Gottlieb Goldberg Cembalo Concertos, Sofia Ensemble:.! Mains rendant leur interprétation difficile sur un seul clavier la dernière modification de cette page a été faite le janvier! Movement, this is another two-part hand-crossing variation, in 34 time and played! Au clavecin à deux claviers, l'usage fréquent de croisements de mains rendant leur interprétation difficile un. De ses débuts tab by Johann Sebastian Bach infirmités, avait de nombreuses pour! Is specified for two manuals and features large jumps between registers Classique 10 juil canons are also in! Other arrangements include: [ 18 ], this variation ( pictured ) 988... Bach from the album Glenn Gould first two bars 10 is a,! 18 MINUTES for modern performance have turned out to be played on the first of the previous canons [ ]... Passages in thirty-second notes, with many chromaticisms the soprano voice enters in bar 9, but only keeps first. 1, 2000 ℗ 2000 HAENSSLER CLASSIC to be played on the first two bars `` it need go... Underneath the rapid arabesques, this is the last three bars of the previous variation is the last canon the! Ready for More, is a canon at the third, in time! Repeat of the Variations are in G minor an almost nostalgic tenderness '' 68 time kind a.

goldberg variations, bwv 988: aria 2021